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An orchid-lacquered zoetrope on a pale timber table in the foyer's morning sun, a painted swift visible through its slits

Pictures that move, chosen by us, in Brompton.

Twelve pictures of a swift, standing still.

Or take the drum by its edge and flick it. Arrow keys push it round; Space brakes it.

Drumlight is an independent two-screen cinema in a restored hall in Brompton. We choose every film we show: new ones from around the world, seasons of older ones, and silent films with a live pianist on Sunday mornings.

What's on this weekOpen Tuesday evening, and Wednesday to Sunday

What's on this week

Five films, each shown in the shape it was made in, with the masking closed in round the narrower ones. Choose one for its times, then your seats.

The Handcart Camera

A woman crosses a salt lake with a handcart and a box camera, and takes one photograph a day.

The big room · 1 hr 44 · Spanish and English, with English subtitles

That is nearly all that happens, and it's enough. There are long stretches without talking, and in the big room you hear the wheels on the salt. For anyone who likes a long look at a big place.

Sessions this week

Wed 6.30 · Thu 11.00 · Fri 7.15 · Sat 1.00, 7.30 · Sun 3.00 · Tue 7.00

Nine Kilometres of Fence

Two neighbouring farmers, one wet winter, and the fence between them rebuilt post by post.

The small room · 1 hr 18 · A new documentary, made in the Mid North

Hardly anyone talks and a great deal gets done: augers, strainers, wire and weather, and two people who know each other well enough to say very little. For anyone who likes watching work done well.

Sessions this week

Wed 2.00 · Thu 3.45 · Fri 6.00 · Sat 11.00 · Tue 6.30

Ferry at Low Water

Two old friends run a river ferry through its last summer, arguing about tea, the tide and who steers.

The small room · 1 hr 31 · Dutch, with English subtitles

Quietly funny, and full of weather: fog in the mornings, flat light at noon, and a ferry that crosses the same few hundred metres of water a great many times. For anyone who has shared a job with a friend.

Sessions this week

Wed 11.15 · Thu 6.00 · Fri 1.30 · Sat 5.00 · Sun 12.45

A Coat for Mrs Pell

A tailor walks a finished coat across town to the woman who ordered it, and is stopped at every corner.

The big room · 1 hr 36 · Black and white, in the Walking Pace season

Every stop is a small favour for someone, and every favour takes a little longer than the last. Gentle, very well dressed, and funnier each time you think it's nearly over. For anyone who has ever been late with good reason.

Sessions this week

Thu 2.00 · Sat 3.30

Hold the String, Agnes

A silent film on Sunday morning, with our pianist down at the front.

The big room · 1 hr 04 · Silent, with the piano

A kite, a jetty and one very windy afternoon, told without a word. The piano does the talking, and the weather does the rest. For anyone who has held on to something in a strong wind.

Sessions this week

Sun 10.30

Seats you choose on this page are held for you at the desk in the foyer. Collect them there up to ten minutes before the film.

Tea, coffee, juice, popcorn.

Hands pouring tea at the foyer counter beside fresh popcorn, juice and a cake under glass, an orchid velvet curtain behind

Take your cup in with you.

The counter opens half an hour before the first session. There's tea by the pot, coffee, orange and apple juice, popcorn made here in the foyer with oil and salt, and a cake each week from a baker nearby. The cups are real ones: bring them back on your way out.

The big room in daylight with the house lights up: rows of orchid velvet seats facing a white screen under tall arched windows

Two rooms, one hall.

The big room 160 seats

New films from around the world, and the silent films on Sunday mornings, with the piano down at the front below the screen.

The small room 48 seats

Seasons of older films, documentaries, and the slower films that are best seen close up, six rows from the screen.

The hall was built for dances and meetings. We restored it and put two rooms inside, one big and one small, and kept the tall windows in the foyer. We choose every film ourselves, and we watch each one through before it goes on the programme.

A forearm reaches in to thread film through the gate of an old grey projector in the box, the port glowing in the white brick wall

Up in the box.

We start every session ourselves, from the little room at the back of the hall with a window onto each screen. Most films arrive as files; some of the seasons still come on reels, for the old projector we keep oiled for them.

Before each film we set the masking at the edges of the screen to the shape the film was made in, so nothing is cropped and nothing is stretched.

The grey either side of a square film isn't a gap. It's the masking, closed in to the shape the film was made in.

Sunday mornings, with the piano.

Sunday 10.30 · The big room

Black and white: a woman and a man on a windy jetty hold the string of a box kite over the sea

Hold the String, Agnes runs an hour and four minutes and has no soundtrack of its own. Our pianist watches it through a few times in the week before and plays what she sees: a walking tune along the jetty, something quicker when the wind gets up, and nothing at all for the long moment the kite hangs still.

Silent films were made to be played along to, so each Sunday is a little different. Come a few minutes early and sit on the left, where you can see her hands.

Doors and tea from ten.

This spring's season

This spring's season: Walking Pace

Six older films in which people go somewhere slowly: on foot, by cart, by boat. Thursday and Saturday afternoons through October and November, in the Academy shape they were made in.

  • A Coat for Mrs Pell England, the forties. A tailor, a finished coat and a long walk across town. This week.
  • The Tin Lantern Road Ireland, the fifties. Two sisters walk home over the hills by lantern light.
  • Letters to Kerrow Station Australia, the fifties. A mail cart, a dry season and a very long round.
  • The Clockmender's Holiday France, the thirties. A man who mends clocks takes a week off, and can't stop.
  • Seven Bridges to Market Czechoslovakia, the sixties. A cart of apples, seven bridges and a toll at every one.
  • Ellen Rows Home Norway, the fifties. A long river, a small boat and a woman in no hurry.

Before the lights go down.

When do doors open?
Twenty minutes before each session, and thirty on Sunday mornings. The film starts at the listed time, after a few minutes of trailers for our own programme.
Where are my seats?
At the desk in the foyer. We hold the seats you choose here until ten minutes before the film.
Running late?
Come in quietly at the back. For the silent films, the piano covers the door.
Is it step-free?
There's a ramp at the side entrance, and spaces at the ends of row A in the big room and in the small room's front row.
Can I bring food?
From the counter, or your own if it's quiet to eat.
Who are the films for?
Every film we show is chosen by us and suits a general audience.

Ask us about a film

Whether it's loud, how much reading the subtitles take, or where to sit: we've watched it, so ask.