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01T+00:00Lift-off

Cue 01 · Lift-off · 1:11 to write the name

Asterism: drone light shows, written cue by cue.

We design and fly choreographed drone light shows for festivals, openings and celebrations, from Adelaide. A show is a list of cues: a shape in the sky, the moment it arrives, the way each light flies to get there. This page is written as one. Scroll, and the lights follow.

Overhead, when this page’s script runs: the lights leave their grid on the ground and write our name.

Still 01 · The name

02T+01:21Globe

A show is a list of cues.

Overhead: the lights gather into a sphere and turn, once every twenty-four seconds.

Before a light leaves the ground, the whole show already exists as a list. Each line is a cue: its number, the moment it begins, the shape the lights will make, and how long they hold it, long enough for people to point and turn to each other.

Between one line and the next, every light is given its own route, and none of them swaps places in the dark.

04T+03:32Flower59 m12 s

  • Number the order, nothing more.
  • In when the lights begin to move.
  • Formation what the crowd will see.
  • Route the path each light takes; the longest one sets the pace.
  • Hold how long a shape stays up.
The anatomy of a cue: one line of this page’s running order, worked out for a model sky.
A small grey drone held level in two gloved hands, its single warm light glowing on the fingertips against a dark violet sky.
One light. A show is a great many of these, each given its own line of the list.
Still 02 · Globe

The globe is round. Use the arrow keys on the sky control, or the orbit buttons, to walk a little way round it.

03T+02:33Flock

Between two shapes, the flight is the show.

Overhead: every light is on, moving as one flock in three ribbons that fold, thin and never quite settle.

People remember the shapes; what they watch is the moves.

When a formation lets go, every light already knows where it is going and which way it will fly. The routes are planned so that lights passing each other keep to different heights, and they all arrive together.

That is why a change looks like a flock turning, not one picture fading into the next.

Pick a light and follow it: it is the same light that left the ground at the start, and it will be the same one that comes home at the end.

Follow one light

Or click any light in the open sky.

Still 03 · Flock

04T+03:32Flower

Made for the nights people gather.

Overhead: a flower of eight petals, opening slowly from the centre.

Occasions and the shapes the sky might hold for them
OccasionWhat the sky might holdTry it
EidA crescent, then lanterns lifting
DiwaliA row of lamps, lit one by one
Lunar New YearA lantern that rises
New YearA clock face turning to twelve
WeddingsTwo rings, then two initials
Festival openingsA ribbon, drawn across the sky
A building’s openingThe outline of its doorway
Civic celebrationsThe city’s own outline

Each shape holds for a moment, then the flower comes back.

We fly shapes, words and moments, not advertisements: there are no sponsors’ marks in our skies.

Tell us what the night means and we will find its shape.

Still 04 · Flower

05T+04:31Skyline

Drawn for the place, and for the people in it.

Overhead: the outline of a city, invented for this page, its windows lit row by row.

A show is drawn for where people will stand. A shape that reads cleanly from the front can smear from the side, so every cue is checked from the edges and the back of the crowd as well as the middle.

Slow moves feel bigger in the sky than fast ones.

We plan around the place: the open sky above it, what people look past, where the lights can take off and land, which way the evening breeze tends to come from, and the music or the silence the cues are set to.

Then there is the quiet between two cues, when every head tilts up at once.

  • where people stand
  • where the show flies
  • what is behind it
Families seen from behind, looking up together into a violet night sky scattered with soft points of warm light.
The show happens up there. The moment happens down here.
Still 05 · Skyline

06T+05:36Your cue

Write a cue of your own.

Overhead: a lantern, in cool light, until you write a cue of your own.

Draw on the pad, type a short word, or choose a shape. The lights will leave the last cue and fly yours, and this page works out what it took.

Draw with a finger, a pen or a mouse. On a keyboard: arrow keys move the pen one dot, Space puts it down or lifts it, Enter flies your shape, Backspace takes back a stroke.

A shape can use up to 1,200 lights.

Or choose a shape

Lights used
– – of – –
Longest route
– –m
Move at 3 m/s
– –s
Standing by
– –

Worked out on this page from the routes you just watched, for a model sky 160 metres across with no light faster than 3 metres a second. An illustration, not a flight plan.

Your shape is flown here and nowhere else. Nothing is kept or sent.

Still 06 · Your cue

07T+06:49Storyboard

From a sentence to a sky.

Overhead: four small frames, two by two, each an earlier cue in miniature: this page’s own storyboard.

  1. 1The brief

    It starts with the night itself: the occasion, the place and the moment it is for. Who will be looking up, from where, and what should they feel when the first light lifts?

  2. 2The storyboard

    We draw the shapes in order, as dots on paper, and set them to the music or the silence. Every cue is given its moment, its hold and the move that leads into it.

    Storyboard sheets on a desk under a lamp, with shapes drawn in pencil dots: a sphere, a flower, a flock and a single line.
    The shapes, in order, before any of them fly.
  3. 3The preview

    Then the whole show is flown on screen first, much like this page, so you can see every cue, every move and every pause from where your guests will stand, well before the night.

  4. 4The night

    Before dark the crew lays the lights out in rows on the ground, each one in its place. On the first cue they lift, and the list on paper becomes the sky over everyone’s heads.

    Rows of small drones laid out in a grid on dark grass at dusk, seen from directly above, each with a dim warm light.
    Before dark: the lights in their rows, waiting for the first cue.
    Gloved hands fitting a battery into a small drone on a dotted mat, lit by a warm lamp.
Still 07 · Storyboard

08T+07:52One line

The running order.

Overhead: every light in one level line across the sky, dimming from the ends inwards.

The running order of this page’s show
CueInFormationLights litLongest routeMoveHold
0100:00The name2,29987 m1:1110 s
0201:21Globe2,45874 m1:0012 s
0302:33Flock4,09655 m45 s14 s
0403:32Flower2,45759 m48 s12 s
0504:31Skyline2,21567 m55 s10 s
0605:36A lantern92577 m1:0310 s
0706:49Storyboard2,09365 m53 s10 s
0807:52One line4,096106 m1:268 s
0909:26One light159 m48 s8 s
1010:22The landing082 m1:06–

Worked out on this page for a model sky 160 metres across, with no light flying faster than 3 metres a second. An illustration of how a show is timed, not a flight plan: a real show is planned on its own site, for its own night. These figures were worked out when this page was made, for 4,096 lights. Total run time 11:28.

The show ribbon: every move and hold, in proportion. On screen each move is sped up to a few seconds.

Still 08 · One line

09T+09:26One light

Tell us about the night.

Overhead: the line draws in to a single light, held still, in no hurry.

The last cue is the quiet one. The lights draw in to a single point and hold, and nobody is in a hurry to leave. The best nights end with people still looking up after the lights have gone.

A brief for a night sky

A date, or a rough time of year: late March, after sunset.

A park, a riverbank, a square, an oval.

A word, a shape, a feeling. Or tell us what the night is for.

Nothing on this form leaves your browser.

Still 09 · One light